Crash.
loud, short
teaching/screaming/waving
lady with blue hair
Lioness.

20. ♀. Bi. Poly. Minnesota. Ramapo-for-Lifer
Occasionally #NSFW.

Credits
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The crickets sound different here, different
than the background to the touches of lovers who fade
to real life and indifference as the maple leaves burn red.
They are freckles on my skin I never had,
campfire embers aglow in the dark of a room that’s too big,
a house that no longer feels like home.
Cigarettes don’t taste as good alone. Free time isn’t free
with no one to spend it on.

Give me back your jutting hips in the moonlight.
Give me back your smile in the dark.
Give me back the way your hands found me
in the middle of the night,
the way the music sounded in all the cars
while we blasted down upstate roads,
laughing.
Give me back what it means to feel alive.
On Missing People // waitforhightide

I once traced the freckles on your arms at two in the morning. I said,
You are the sky, and apologized
for covering you in black lines. You said
not be sorry. You said
that you liked it.
When you fell on your longboard and lost
half the skin on your left arm,
I could still see the constellations underneath.



Every time I said fuck you for three months, you said
We already played that game, and you
smiled.
The night you left you never said goodbye,
only looked up at me from that rock in the parking lot
where we’d spent so much time avoiding work
and other people,
and said, oh, fuck you,
and I think maybe that meant I made you feel something
other than the emptiness you try to fill.
So I said that we already played that game
and you hugged me
and as I walked away, you shouted out,
rematch, next year! and all I could think was, oh,
fuck you,
too.

Falling in Love with a Vagabond // crash

theelpasogunfight:

mentiree:

rapunzhawk:

loveandeloquence:

He’s Counting Down From 21, And By The Time He Reaches 15, My Stomach Is In Knots

When you catcall me on my bike, I
cannot even hear your words, only
your voice. I am not
turning my head out of interest, I
am wondering
how many of you are there?
I am looking to see
the size of your car
and I am wondering how much it might hurt
when you turn into my lane,
block my path,
and demand
my attention.
open letter to the men who shout from their car windows // waitforhightide

i
There is a deck on an empty townhouse in Belle Plaine where you can see Cassiopeia at the beginning of August. In the basement there is a bathroom with a door that sticks and somewhere down the street there is a cemetery awash in the glow of suburban streetlights where I never looked at any of the names on the headstones.

ii
There is a series of bright green post-it notes on a desk in New York City and there is more love in those lines of ballpoint pen than in all the books stacked wall-to-wall around the windows that look over Central Park. There is a four-poster bed with a white comforter and unspoken goodbyes still caught in the sheets.

iii
The campsite in the woods is easy to find. The secrets etched into the wood grain are not written in a language anyone is ever meant to read. The answer is in the smell of the ferns at night.

iv
The bricks of dorm rooms hold souls that grew up and out, but never quite faded from the chipped paint.

v
In every room you’ve ever stood in, someone fell in love. In every house you’ve never lived in, there is a whisper of everything someone hopes to be.

vi
Home is built with the memories of other people’s hands.

"She loved him and never told him… but I love him unconditionally."

He is God
in blue jeans. His wife,
a saint. She’ll has his children.
They’ll have his eyes, I have this moment
between the jump and the ground.
I know he doesn’t belong to me.
I am the thief, not the victim. My bed
is an empty ring box, an unmade apology.
When he leaves, I will write my vows
in the tangled sheets.
I will not yearn. I will not mourn.
I’ll hate every man with his name.
On the jurisdiction of ghosts.

When you meet a boy that’s too good to be true,
run fast and hard
in the other direction—
things that are too good to be true
are not telling you the truth about their goodness.

When he tells you he loves you,
do not say it back.
Do not be enthralled by the way he is best friends with Death.
Death was never supposed to be a wing-man,
first encounters should not be held in graveyards,
and first kisses seen only by cinema psychopaths
are a terrible omen, indeed.

When he is drunk and afraid, he will tell you
that parts of him belongs to you, that you hold his heart in your hands.
Tell him no.
Give that part back.
Reject the very notion that you are anything but you,
yourself,
in all your naivety and youth.
Don’t let him under your skin,
like a news story of a drunken car-crash
that he could have been a part of.

When you drive in his car,
and he tells you, I loved you in a past life,
I know it,
tell him to fuck off—
that you do not owe him the smiles,
the kisses, or the love that you are giving him
just because some woman in the past loved someone else.
Tell him
that you are not a reincarnation, a rerun already known by heart. Tell him
that you are an unfinished novel
he has not yet bothered to read.

When you leave that boy who’s too good to be true,
do not hold on to him.
He is too much to carry to a new place.
Do not let him hold on to you.
Sometimes goodbyes are for-nows and see-you-laters,
and sometimes they are just goodbyes.

When he tells you that he misses you,
do not say it back.
When he calls you on Skype at two in the morning
to tell you that he wants to die,
tell him, This is not my problem. I
am not your solution.
Hang up on him. Do not
call him back.

Three years later, when you meet a boy
who is too true to be good,
examine that thought. Ask yourself
why honesty is inherently aromantic.
Ask yourself why I love you means less than I can’t promise,
in case I am wrong. Ask yourself
if you are going to let a ghost of a man
who never bothered to read your story
write the next page.

Tell yourself no. Tell the honest man that you are trying,
because you are.
Tell him that you love him,
because you love him.
Do not ask him to trust you, or to love you back.
Let him do both things by himself.
Do not think to yourself, he is too good to be true.
Love him, instead, without pedestals and judgement, without
expectations that make you both afraid.

Because when you meet a man that is true
and is good,
do not push him away.